Donnerstag, 15. September 2011

"Heartland" - 1990 song by Steve Gillette & Rex Benson


Back in March of 1997, I was searching the Digital Tradition Folksong Database at The Mudcat Cafe, trying to find the lyrics to the song "Heartland" by Bob Dylan and Willie Nelson from Willie Nelson's 1993 album "Across the Borderline".

To my astonishment, I found an identically titled song
by Steve Gillette and Rex Benson:

Here, in the heart of the nation.
I'm just a man whose made a promise he can't keep
I've been workin' every sunrise,
But it's too late, I'm in too deep.

This farm is my home it's my birthright
It's the only life I know.
I've worked this land with all the love in these hands
And I can't just let it go.

But in the heartland,
There's a man who holds the paper on my soul.
There's a circumstance that's out of my control.
And the thunder and the winds begin to roll.


In the heartland,
In the light before the darkness falls.
Revelations in those marbled halls,
Where they've traded away my home,
     Where they've taken away my home.

What does it profit a man,
To gain the world and lose the seed?
To see the innocent land
Become the servant of their greed.

And I know I'm not alone,
There's a woman who knew me when my prayers were younger.
And children, ashamed of their hunger.
And others, family farmers like my own,
Up late tonight in the heartland.

And in the heartland,
There's a man who holds the paper on my soul.
There's a circumstance that's out of my control
And the thunder and the winds begin to roll.
In the heartland,
In the light before the darkness falls.
Recriminations in those distant halls
Where they've traded away our home,
Where they've taken away our home.

Copyright 1990, Foreshadow Music, BMI / Jesse Erin Music, ASCAP
Used by permission


Back in 1997, I wrote:
"Somehow, I found the similarities (topic and lyrics) to the identically named Bob Dylan/Willie Nelson song to be rather striking -- mere coincidence? Somehow, I doubt it....

To be fair, however, didn't Bob himself start the whole thing with "Ballad of Hollis Brown" back in the 1960s?




Or Woody Guthrie  in "Tom Joad", his rendering of John Steinbeck's "Grapes of Wrath"...  
Or, for that matter, the anonymous authors lamenting the plight of  peasants in medieval England?"

Yesterday, I received an email from Steve Gillette who confirmed that at least Willie Nelson knew Steve's and Rex's song prior to his collaboration with Bob Dylan:

"Rex and I were very gratified by your willingness to make that statement.  It seemed to us that you were very perceptive, and also willing to point out that the emperor's new cloths might not be what they seem.  Forgive the clumsy use of the old expression, but I was glad to have the article which I believe you wrote in 1997.

When Rex and I wrote the song it seemed a natural fit with the Farm Aid concerts and we sent the song to Willie by way of his managers, his harmonica player, Micky Rafael who is an acquaintance, we even left a copy for him at his golf course, so we know he had ample opportunity to hear our song."

Steve added in a second email today:

"I do have great respect for Willie Nelson and for Bob Dylan and wouldn't want to say anything hurtful or that might be interpreted as a cheap shot, but what I said about their having access to our song is true.  And, honestly, I don't think one could write their song without having heard ours, but it wouldn't be the first time that I heard the echoes of my own words without knowing the full story."

Montag, 22. August 2011

70th Birthday "Dylanthology", Part 11 - "Democracy Now!" Special

NOTE:
All of these radio and TV programmes (and their descriptions) are © by the stations who produced and aired them. Links to streams and/or downloads and descriptions are provided solely for "nonprofit educational purposes" (one of the criteria of "fair use", Copyright Act of 1976, 17 U.S.C. § 107).
Presentation (hyperlinks, etc.) © by the author of this blog.

Democracy Now!, May 24, 2011:

The Legendary Bob Dylan Turns 70: Democracy Now! Airs Rare Interviews and Songs from Pacifica Radio Archives

Today Bob Dylan turns 70 years old, and we air a special program on his life and music. Dylan was born Robert Allen Zimmerman on May 24, 1941, in Duluth, Minnesota. Raised in Hibbing, Minnesota, he moved to Greenwich Village in January of 1961.

Within a couple of years, Dylan would be viewed by many as the voice of a generation as he wrote some of the decade’s most famous songs, including “Blowin’ in the Wind,” “The Times They Are a-Changing,” “Like a Rolling Stone,” “Masters of War,” “Desolation Row” and “Mr. Tambourine Man.” After emerging from the New York City folk scene, Dylan explored many other genres, from rock to country to the blues. He continues to tour to this day. In 2008, the Pulitzer Prize jury awarded him a special citation for "his profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power."


But before Bob Dylan became a musical star, he was one of countless young musicians in New York City trying to get heard. Some of his earliest radio appearances were on Pacifica radio station WBAI.  


We speak with the legendary WBAI broadcaster Bob Fass, the host of Radio Unnameable, who interviewed Dylan several times. Fass’s show began in 1963 and became a leading outlet for the emerging counterculture of the 1960s. It still airs every Thursday night at midnight. We play excerpts from the Pacifica Radio Archives of a 1962 performance by Dylan on Fass’s show and an interview when he was only 20 years old. 

We also speak with music writer Elizabeth Thomson, co-editor of the newly reissued book, No Direction Home: The Life and Music of Bob Dylan, written by the late Robert Shelton. And we feature part of Dylan’s 1963 performance at the March on Washington and hear why Dylan refused to sing out at protests against the Vietnam War.
 
Listen to/watch program at democracynow.org
Edited version (non-Dylan parts removed) 

 
Related link:
Elizabeth Thomson Interview (Podcast) 

Mittwoch, 22. Juni 2011

From Bob Dylan's Private Record Collection - Blind Boy Fuller (1935-1940)

In a tribute to Suze Rotolo earlier this year, Jeff Gold (of recordmecca.com) posted pictures/scans of two items from Dylan's personal record collection (folk blues on the European/Dutch Philips label, acquired from Suze) on his own (highly recommended) blog.

Jeff commented:
"Both of these albums... are what collectors call 'well played'--far from mint condition; obviously frequently played by their original owners.  
These were records they listened to, loved, and in many cases were inspired by; some of the building blocks of their artistry.  Part of their musical mojo.  So thanks to Suze Rotolo, we have a bit more insight into what Bob was listening to at a most formative time.... To me, these were talismanic objects, filled with the music we now know inspired Dylan so much.  When I asked Rotolo by email why Dylan had written on his albums, she told me that it was similar to making notes in the margins of books for him.  Later I realized at the point he annotated these, he had only been going by the name Bob Dylan for perhaps a year and a half--in fact, he had only legally changed his name in August, 1962--three months before buying these.  It's almost as if he was seeing how his new name fit alongside those of these legendary artists."

I have tried to recreate one of these albums from more recent sources/transfers in my own collection -- most tracks should be superior sound/quality than that of the original -- basically "bootleg" -- album, which Bob Dylan acquired during his first trip to London, England, in late 1962 (possibly at Dobell's Record Shop in Charing Cross Road, where he contributed to an album by Richard Farina and Eric Von Schmidt providing back-up vocals and harmonica).

Please note Bob Dylan's comments on the original sleeve: 
"Drinked up and let out by Bob Dylan" 
and "Read Thoroughly and with full throttle by Bob Dylan" -- one song from this compilation
("Step It Up And Go") was covered by Bob on his 1992 album "Good As I Been To You".

Full recording details in ID3 tags:
01 She's a Truckin' Little Baby 
02 Screaming and Crying Blues
03 Big Leg Woman Gets My Pay
04 I Want Some of Your Pie
05 Cat Man Blues
06 Been Your Dog
07 Hungry Calf Blues
08 Mojo Hidin' Woman                    
09 Piccolo Rag
10 Lost Lover Blues
11 Night Rambling Woman
12 Step It Up and Go                                                        
13 Keep Away from My Woman      NOTE: Since I'm not aware which take of this track has
14 Keep Away from My Woman      been used for this compilation, I've included both.
15 Little Woman You're So Sweet                                 
16 My Brownskin Sugar Plum                                          
17 Evil Hearted Woman

Mittwoch, 8. Juni 2011

70th Birthday "Dylanthology", Part 10 - even more German radio...

NOTE:
All of these radio and TV programmes (and their descriptions) are © by the stations who produced and aired them. Links to streams and/or downloads and descriptions are provided solely for "nonprofit educational purposes" (one of the criteria of "fair use", Copyright Act of 1976, 17 U.S.C. § 107).
Presentation (hyperlinks, etc.) © by the author of this blog.

Bob Dylan als "kulturelle Konstante",   
Broadcast: Deutschlandradio Kultur, May 24, 2011
 
Musiker der Band "Ja, Panik" schätzt den großen Musiker und sieht ihn auch kritisch.
Moderation: Ulrike Timm 

Andreas Spechtl von der Gruppe "Ja, Panik" bezeichnet die genaue Arbeit an den Texten seiner Band als Einfluss von Bob Dylan. Seine Protestsongs aus den 60ern seien allerdings "Kitsch".  




"Ich kannte ja bis dahin nur Pfadfindermusik"
Broadcast: Deutschlandradio Kultur, May 24, 2011
Wolfgang Niedecken im Gespräch mit Ute Welty   

Wenn ihm als Teenager die Musik von Bob Dylan nicht begegnet wäre, dann hätte sein Leben einen völlig anderen Verlauf genommen, sagt der Sänger der Kölschrock-Gruppe "BAP", Wolfgang Niedecken. Der amerikanische Folk- und Rockmusiker sei sein musikalischer "Urknall" gewesen.

Sonntag, 5. Juni 2011

No Nazis in Berlin 1964 either -- more of Clinton Heylin's uncalled-for anti-German "propaganda" and sloppy "research"

As a German, I feel increasingly angered that Clinton Heylin (or his editor) seems to be somewhat "obsessed" with Germans being equal to "Nazis" or "neo-Nazis".

Besides the definitely non-existing "neo-Nazis" at Dylan's 1978 Nuremberg concert, why does Heylin have to describe Dylan's hardly documented private trip to Berlin in 1964 in such a way?

"Availing himself of Hoffenburg's hospitality, Dylan spent a day looking for Nazis in West Berlin and, not finding any, concluded they'd all moved to Arlington"
(p. 157 of the "20th Anniversary Edition" 
of Behind the Shades )

There's nothing about Dylan "looking for Nazis in West Berlin" in the (rather few) sources documenting this trip, like the one quoted at  
http://theband.hiof.no/articles/mason_h ... licks.html
-- once again, it seems to spring SOLELY from Heylin's or his editor's (more than a little twisted) imagination and amounts to outright racist and uncalled-for anti-German "propaganda" Clinton (or his editor) obviously added to make his book sell better with UK and US readers accustomed to the Nazi-image of Germans.

Definition of "propaganda" (from Wikipedia):
"Propaganda is a form of communication that is aimed at influencing the attitude of a community toward some cause or position so as to benefit oneself.
As opposed to impartially providing information, propaganda, in its most basic sense, presents information primarily to influence an audience. Propaganda often presents facts selectively (thus possibly lying by omission) to encourage a particular synthesis, or uses loaded messages to produce an emotional rather than rational response to the information presented."
And Heylin (or his editor) clearly ADDED these uncalled-for anti-German slurs, which were NOT PRESENT in neither the 1988 edition of  Stolen Moments (p. 54), nor the 1996 edition of A Life in Stolen Moments (p. 60), whereas Mason Hoffenberg is consistently misspelt in all of these editions -- sloppy research by Heylin we have (by now) become accustomed to and which could have been definitely remedied by something as simple as a Google search....


Related Link

Samstag, 4. Juni 2011

70th Birthday "Dylanthology", Part 09 - more from the UK

NOTE:
All of these radio and TV programmes (and their descriptions) are © by the stations who produced and aired them. Links to streams and/or downloads and descriptions are provided solely for "nonprofit educational purposes" (one of the criteria of "fair use", Copyright Act of 1976, 17 U.S.C. § 107).
Presentation (hyperlinks, etc.) © by the author of this blog.

Ann McElvoy, "Night Waves", BBC Radio 3, Broadcast May 24, 2011

As Bob Dylan turns 70, Anne [McElvoy] discovers why his recent work still has meaning from singer Barb Jungr and English academic, Daniel Karlin.

"Bob Dylan's London", BBC London, Broadcast May 18, 2011
Russell Clarke talks to Robert Elmes about Dylan's visits to London through the years.


Alan Thompson, "The Evening Show", BBC Radio Wales, Broadcast June 01, 2011

A look back at the career of Bob Dylan. Alan Thompson talks to biographer Patrick Humphreys [sic].

70th Birthday "Dylanthology", Part 08 - from Scotland

NOTE:
All of these radio and TV programmes (and their descriptions) are © by the stations who produced and aired them. Links to streams and/or downloads and descriptions are provided solely for "nonprofit educational purposes" (one of the criteria of "fair use", Copyright Act of 1976, 17 U.S.C. § 107).
Presentation (hyperlinks, etc.) © by the author of this blog.


"Another Country" with Ricky Ross, Broadcast: BBC Scotland, May 20, 2011
PART 01 (first hour)
PART 02 (second hour)


Rosanne Cash, Tom Jones, Teddy Thompson, Craig Finn of The Hold Steady and The Secret Sisters all choose their favourite Bob Dylan songs to celebrate his 70th birthday. Plus Ricky Ross takes a look at some of the many Americana and alternative country artists that have covered the Bob Dylan songbook over the years. Part 1/2.


"Another Country" with Ricky Ross, Broadcast: BBC Scotland, May 27, 2011
PART 01 (first hour)
PART 02 (second hour)
Kris Kristofferson, Patty Griffin, Beth Nielsen Chapman, Mavis Staples, Justin Townes Earle, Ryan Bingham and Eilen Jewell all choose their favourite Bob Dylan songs to celebrate his 70th birthday. Record producer Mark Howard reveals what it's like to work in a studio with him. Plus Ricky Ross takes a look at the many Americana and alternative country artists that have covered the Bob Dylan songbook over the years. Part 2/2.